By Age

Articles about Dalcroze pedagogy organized by age.

Early Childhood:

  • Leading and Following, Up and Down

    Over the past few weeks the 4-5 year-old classes have been exploring several different aspects of musical experience that I have written about previously. Now that they are getting used to working together as part of a group, I like to give them opportunities to lead and follow. Recently gingerbread men and women have lead

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  • Drawing Music

    For the past few weeks, you may have noticed your children leaving the classes clutching drawings. In the spring of the year, I usually begin to focus the children’s attention on ways that musical events and phenomenon can be visually represented. However, the longer I teach, the more I find myself delaying the introduction of

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  • Infrequently Asked Questions About Early Childhood Dalcroze Classes

    Aside from one or two perennials, I don’t get asked too many questions during my Dalcroze classes for young children. With busy toddlers demanding attention, there just isn’t a lot of time for chatting. (There are one or two questions I am commonly asked. See if you can guess what they are – I’ll include

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  • A Class for 5-6 Year-olds

    So many things can happen over the course of a Dalcroze semester that you can often get a better idea of what a class has been doing by simply describing a single class in detail. Here’s a description of a recent class of exceptional 5-6 year-old girls that I am fortunate enough to see every week.

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Early elementary:

  • 7-9 Year-Old Dalcroze, 11/15/16

    This weeks activities: Move to the music. At signal, stop and clap 4 times. At next signal, stop and pat knees 4 times. Continue to alternate at each signal. This is a continuation of the same game we played last week, with an added challenge: keeping track of a past event. 1 voice/2 voices: walk

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  • 7-9 Year-old Dalcroze: 11/22/16

    7-9 Year-old Dalcroze; 11/22/16 Make a shape with curves. Make a shape with straight lines. This seemingly simple direction was first intended to be a physical warm-up. As I watched their choices, I began to play accompanying chords: towards dissonance for the curvy, and towards consonant for the straight-line shapes. After a time, I stopped

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  • 7-9 Year-old Dalcroze: 12/6/16

    Back Telephone The traditional game of telephone (whisper a phrase around the circle and see if it comes back the same) only with rhythms gently tapped on the back. We tried 2 rhythms and both came back perfectly. I used the second rhythm to introduce the 4 sixteenth note rhythm (known at Lucy Moses as

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  • 7-9 Dalcroze: 12/14/16

    Here’s what we did: All move freely; I choose one person’s movement to play after which the class guesses who I was playing. This was by request. I like this game because it encourages the kids to move in their own way. Make a shape with 3 or 4 people. Simple instructions, but took them

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Late elementary:


Adult

note: during the pandemic, when we were looking for ways to keep ourselves moving, I made some posts for adults to practice their eurhythmics skills. For more about teaching Dalcroze to adults, view ‘by subject‘.

  • Amphibrach: Augmentation and Diminution

    Well, if that isn’t the most wonky title for a blog post… It’s less fancy than it sounds. This is an augmentation/diminution activity for the “amphribrach” rhythm, sometimes called “syn-co-pa”. In 4/4, the rhythm could be written quarter-half-quarter. (The rhythm could be notated in any simple duple or quadruple meter, like 4/4, 2/2, 2/4, 4.8,…

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  • 5

    Measures of 5 are most often broken up into groups of 3’s and 2’s. (The classic model is Brubeck’s “Take Five”.) In this activity, I play with length and placement of those groupings. The simplest way to interact with the recording here would simply be to keep track of 1 within the measure of 5…

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  • Quadruple and Triple Time

    Another reaction game, this time with a musical signal. You will hear music in a meter of 4 (e.g. 4/4). If you hear a division of 3 on the 4th beat, the next measure will be in a meter of 3 (e.g. 3/4), for one measure only. There are many possible ways to interact with…

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  • Beat-Division-Multiple Series in 4/4

    Here’s the series we did at the end of today’s drop-in class. It is somewhat of a classic. It’s in simple quadruple time (for example, 4/4). One measure of beats, one measure twice as fast, another measure of beats, one measure twice as slow. In 4/4, then, it would be 4 quarters/8 eighths/4 quarter/2 half…

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  • Divisions of 12

    To warm up for this one today I let a gesture or movement unfold as slowly as possible until it reached its limit. I tried to wait until I was really ready to begin a new one. I sometimes resisted an impulse or two so that I could really listen to what my body wanted…

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