Dalcroze · Practice

Amphibrach: Augmentation and Diminution

Well, if that isn’t the most wonky title for a blog post…

It’s less fancy than it sounds. This is an augmentation/diminution activity for the “amphribrach” rhythm, sometimes called “syn-co-pa”. In 4/4, the rhythm could be written quarter-half-quarter. (The rhythm could be notated in any simple duple or quadruple meter, like 4/4, 2/2, 2/4, 4.8, etc..) In this recording, “hip” means the rhythm goes twice as fast (diminution), “hop” means it will go twice as slow (augmentation). Return brings it back to the original. If you are unfamiliar with this compositional and improvisational device, this is all it means: making something faster (and thus smaller) or slower (and thus larger). When you move it, you really get to experience the changes in size.

The easiest way to ineract with the recording, might be to simply step the rhythm as played and called. Since many of us are practicing in confined spaces, you could step the base rhythm, play (without traveling) the diminution on a handheld percussion instrument, and step and play together the rhythm on the augmentation. I know I do not have nearly enough room to move the rhythm in it’s twice-as-fast form. But if you do, go for it!

Enjoy the syncopation. Try to embody the entire length of the long rhythm value in the middle of the pattern while maintaining the organization of the meter. The agogic accent of the longer note is a chance to expand, contract, lift, reach, etc. It’s a fun one to move!

If you’ve been coming to the drop-in class I’ve been offering on Wednesday mornings, you might enjoy the soundtrack I’ve been using. Here’s a link to a Spotify playlist that includes all of the music I’ve used so far. One of my goals this year has been to expand the kinds of music that I use in a Dalcroze class. I think list is a good step in that direction. I’ll continue to add to the list each week.

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