Articles about Dalcroze pedagogy organized by age.
Early Childhood:
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Color My World
How much skill do you need before music is experienced as a creative activity?
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First Instrument
I am always pleased when the old standards come out in my early childhood child/adult groups. I’m not talking Gershwin or Berlin here (though that would be great, too), I mean chestnuts like “The Eensy Weensy Spider” or “The Wheels on the Bus”—even if the adults seem somewhat embarrassed to be singing them. Yes, they…
Early elementary:
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Ensemble Skills for 1st-2nd Grade (Part 4 of 4)
This is the final part of a series on skills, goals and objectives for 1st-2nd grade Dalcroze classes. The lists from the previous posts on movement, rhythm and pitch would not have been out of place in many other introductory theory, ear training or music or movement fundamentals classes. I regard this final category, ensemble…
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First Instrument
I am always pleased when the old standards come out in my early childhood child/adult groups. I’m not talking Gershwin or Berlin here (though that would be great, too), I mean chestnuts like “The Eensy Weensy Spider” or “The Wheels on the Bus”—even if the adults seem somewhat embarrassed to be singing them. Yes, they…
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Freedom and Control
When I work with Dalcroze teachers-in-training, the most frequent question I ask them is, “What are you teaching?” It’s easy to confuse what we are teaching (music) with how we are teaching it (Dalcroze teaching strategies). For most teaching situations, the goal of the class shouldn’t be Dalcroze teaching techniques like follows or quick reactions,…
Late elementary:
Adult
note: during the pandemic, when we were looking for ways to keep ourselves moving, I made some posts for adults to practice their eurhythmics skills. For more about teaching Dalcroze to adults, view ‘by subject‘.