By Age

Articles about Dalcroze pedagogy organized by age.

Early Childhood:

  • Phrasing

    A phrase can perhaps be best described as a musical sentence. Phrases can be long, extending over many bars of music, or short, lasting only a few beats. And just like a spoken sentence, phrases are often separated by a breath, or at least a feeling of a breath. The ends of musical phrases can

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  • Leading and Following

    Because music is often a social activity, the Dalcroze classroom is a great opportunity for kids to experiment with roles that will also be important for them as they move through life. Over the past several months, I have become interested in giving them experiences of leading, following, working with a partner and being a

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  • A Basic Structure for 4-5 year-old Dalcroze Classes

    Hello Lucy Moses Summer Intensive 2013 participants, and anyone else interested teaching music to young children! As requested, here is an outline of the structure I use for my classes for young children. Though I do follow this basic plan for most of my classes, this represents only what works for me – there are

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  • Is my child gifted?

      There is one comment that I often hear from parents that still catches me off guard: “He really responds to music!” The sentiment is usually expressed with a mix of surprise and awe, but seeing children respond to music with delight, enthusiasm, passion, abandon, inventiveness and curiosity would likely surprise few teachers of young

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Early elementary:

  • Dalcroze: 7-9-Year-olds, 2/7/14

    Back to my own observations… enjoy!   Statue tag All students make a statue. One moves as long as she likes. When she stops, she makes the shape of one of the statues. That statue is free to move. This game is more fun when whoever is making someone else’s shape does not make their

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  • Dalcroze: 7-9-Year-olds, 2/14/17

    Here’s what we did: Statue tag All students make a statue. One moves as long as she likes. When she stops, she makes the shape of one of the statues. That statue is free to move. This game is more fun when whoever is making someone else’s shape does not make their shape directly in

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  • 7-9 year-old Dalcroze: 2/28/17

    This was an unusual class in many ways. The girls’ love for dramatic story telling prompted almost an entire class devoted to the development, rehearsal and enactment of one story. The class loosely followed some goals I had already set up, which was to work with 3 different rhythm patterns that are found in the

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  • 7-9 Year-old Dalcroze: 3/6/17

    This was another very unusual class. The story from the previous week was very strong in their minds, and they desperately wanted to continue it. That kind of intense student engagement is very hard for me to resist, so I relented, not having the least idea about where it would turn out. To further complicate

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Late elementary:


Adult

note: during the pandemic, when we were looking for ways to keep ourselves moving, I made some posts for adults to practice their eurhythmics skills. For more about teaching Dalcroze to adults, view ‘by subject‘.

  • Dynamics

    I wonder if some of the other musical subjects are envious of ‘dynamics’. It’s very name sounds like a superpower. How about the others? ‘Duration’ sounds world weary; ‘Augmentation/diminution’ feels like a medical procedure. ‘Meter’ sounds like something a bureaucrat made up. But ‘dynamics’? It’s very name is brimming with life-force energy. (Note: the image…

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  • Invisible Subjects

    Sometimes, to see the whole, we need to look at the parts. But suppose some of the parts are difficult to see? This is one of the things that makes Dalcroze education so notoriously hard to describe. In one sense, the curriculum for the Dalcroze classes I teach is very straightforward. The list contains things…

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