Author: Michael Joviala

  • Divisions of 12

    To warm up for this one today I let a gesture or movement unfold as slowly as possible until it reached its limit. I tried to wait until I was really ready to begin a new one. I sometimes resisted an impulse or two so that I could really listen to what my body wanted […]

  • Beat-Division-Multiple Series in 4/4

    Here’s the series we did at the end of today’s drop-in class. It is somewhat of a classic. It’s in simple quadruple time (for example, 4/4). One measure of beats, one measure twice as fast, another measure of beats, one measure twice as slow. In 4/4, then, it would be 4 quarters/8 eighths/4 quarter/2 half […]

  • Quadruple and Triple Time

    Another reaction game, this time with a musical signal. You will hear music in a meter of 4 (e.g. 4/4). If you hear a division of 3 on the 4th beat, the next measure will be in a meter of 3 (e.g. 3/4), for one measure only. There are many possible ways to interact with […]

  • 5

    Measures of 5 are most often broken up into groups of 3’s and 2’s. (The classic model is Brubeck’s “Take Five”.) In this activity, I play with length and placement of those groupings. The simplest way to interact with the recording here would simply be to keep track of 1 within the measure of 5 […]

  • Amphibrach: Augmentation and Diminution

    Well, if that isn’t the most wonky title for a blog post… It’s less fancy than it sounds. This is an augmentation/diminution activity for the “amphribrach” rhythm, sometimes called “syn-co-pa”. In 4/4, the rhythm could be written quarter-half-quarter. (The rhythm could be notated in any simple duple or quadruple meter, like 4/4, 2/2, 2/4, 4.8, […]

  • Beat, division and multiple: an inhibition game

    Here is a classic Dalcroze “Inhibition” game. Step and gesture or lightly clap simultaneously. At “feet” stop the feet. When you hear “feet” again, start the feet. Likewise with the signal “hands”. You might try improvising this without the recording at first, calling your own starts and stops. You can simply move the beat, or […]

  • Changing Beat

    Here we play with beats of 2, 3 and 4 divisions. I start with 3, which I am playing with a swing feel on the recording. At “hip” I take a way a division (e.g. 3 divisions becomes 2), at “hop” I add one (e.g. 3 divisions becomes 4). I am playing in a measure […]

  • Expanding and Contracting Beats in Duple Meter

    In a measure of two beats, the length of beat can change from as low as two divisions (e.g. two eighths with a quarter note beat) to 6 divisions (e.g. 6 eighths with a dotted half note beat). I call the number of divisions right before each change. You could: Simply step, gesture or conduct […]

  • Musical Subject: Beat

    I enjoy working with the subject of ‘beat’. The phenomenon itself is so fundamental it can be a challenge to define it. It’s like asking, “What is air?” We can all produce a quasi-scientific definition of the air we breathe, but our experience of it could not be more fundamental to our existence. Yet it […]

  • Patterns with 4 beats and 1 rest: Inhibition Game

    Step and clap the patterns that you hear. At the signal “hands”, stop the hands and move only the feet. When you hear “hands” again, restart the hands. Same with “feet”. Having trouble following? Use the piano: the left hand is associated with your feet, the right hand with your hands. This is known as […]